Final Haunted Girl

This week, we played The Final Girl by Bret Gillan in which we played a group staying overnight at a haunted house to win a radio contest. Whoever is still in the house come 7am will win $10,000, with questions about the house used as tiebreakers if more than one lasts. Our cast includes Mavis, the naive mystery lover; Lind, a barber who acts spontaneously; Fiona, a pushy real estate agent; Toolman Todd, an upbeat handyman; Dyna, video gamer and cynic; Bob, a true believer in the paranormal; Mara, a stereotypically timid librarian; Veronica, sceptic and realist; Heidi, a bodybuilder; Powell, a fastidious cashier; Jim, an upstanding local college athlete; and representing the station, snarky radio DJ, Ragin Rick.

Our story begins with Rick welcoming the contestants in the house’s ballroom for a quick cocktail hour at which Rick messes with Mavis, Heidi, and Bob and Bob & Mavis make a connection through their shared belief. In the foyer, near a pair of massive staircases and a large fireplace, Dyna and Mara almost connect through their shared Mario Bros. ringtone. Mara apologizes to everyone, but Lind spends his time antagonizes Veronica and Dyna. In the backyard garden, Fiona and Todd discuss what it would take to restore this house if she were going to sell it. Powell joins them outside to escape her dust allergies, and Jim impresses Fiona with his forthrightness. Later, Mara and Powell go upstairs and find a library. As they try to open the window to let in some air, the dust begins to swirl into a small dervish that surrounds the two until their lungs fill with dust. At last, they collapse dead on the floor.

Jim, Todd, and Heidi are exploring the conservatory when a garden hose snakes around Jim’s leg, but he wrestles himself free. A large piece of the roof falls in, smashing Todd as glass shards impale him. A rake flies off the wall at Heidi, who sidesteps just in time. A pair of garden gloves crawl up Jim’s back and begin choking him; as he tries to rip them off, they snap his neck. Heidi manages to escape and goes to warn everyone else. Meanwhile, in the kitchen, Veronica is interrogating Rick about what tricks the station has planned for them, but he insists the house is haunted, pointing out its history of death and fear. As they talk, old rusted kitchen knives come flying off the wall at each of them but embed in the wall, and cast iron pots come crashing down but miss Rick. As Veronica heads for the door, a pipe bursts through the floor, causing her to slip and smash her head on the tile floor. Rick also slips on the floor but luckily falls forward and slides out of the kitchen. Another group in the foyer hear a scream and wonder if it’s a special effect. Dyna and Mavis head out of the room to check it out, leaving Fiona and Lind near the fireplace. A massive flame comes flying out of the fireplace, singeing Fiona and Lind as they step away. As Dyna and Mavis cross the room, they begin to sink into the carpet, which is slowly sucking them inside until they’re gone and the carpet returns to normal.

Lind, Rick, Heidi, and Bob gather upstairs in the children’s room. Bob is fascinated by all the happenings, closely watches a crayon writing on the wall, and is almost killed when a rocket ship falls from the ceiling. Scissors come flying at Lind’s neck but misses him. Sweaters come flying out the closet, wrapping around Rick, but he balls them up and throws them onto the floor. The sweaters form up into an animated scarecrow and go after Heidi, who grabs a hobbyhorse to smash them before they get to her. The broken horse gallops after Bob, using its teeth to rip his throat out. As Lind watches what is happening to Bob, the horse’s rockers fly up and stab him.

Rick, Heidi, and Fiona gather in a poolroom, trying to find an exit. As they cross the room, a huge water spout flies up from the floor. It sucks up Fiona and flings her across the room, but she rises, coughing out the water. It goes after Rick too but collapses as it gets too far from the pool. A tarp attacks Heidi, but she catches and balls it up before it can get her. It grabs at Fiona and pulls her into the water. She swims to the edge and slips away as the water turns its attention to Rick; a wave grabs him, pulls him to the bottom and crushes him. The pool’s lane divider wraps around Heidi, tightening as she struggles until she can’t breathe. As another wave comes for her one last time, Fiona holds up her cross while reciting the Lord’s Prayer, louder and louder, and the wave collapses and the room turning silent. Fiona runs out of the house into the street, where she gets in her car and drives away.

Dawn of the Glitter Invasion

This week we played Dawn of the Monster Invasion by Randy Lubin on his storysynth engine. Our story centered around the arrival of sugar zombies, who crave and consume the sugar from people’s bodies.

Our story begins with a little known chemical researcher at a conference presenting his discovery of high levels of ambient glucose outside plastic factories throughout the United States. Many of his colleagues fail to see the significance and wonder why it would be worth wasting research dollars to follow this trail. Glucose is benign, they say, despite the rodents and flora around the plants growing profusely. Next we have YouTube glitter-expert Glitter Gilda on a livestream when her crew became enraged and went after each other during a routine stunt shoot. As she is on-screen responding to her fans comments, she begins to crave soda and there appears to be shimmer etches across her skin as she scratches herself obsessively.

Hand drawn pictures of some characters from our game.

At a new conference, the military commander of the states national guard response team tries to allay the fears of the public. Despite the eyewitnesses who’ve reported seeing an undead killer at the scenes of now up to 7 fatal attacks, the commander insists they have everything under control. They are unable or unwilling to answer the many questions about the glitter rashes and glitter bombs appearing everywhere, or of the sugar cravings that have left candy aisles bare. To capitalize on the sweets shortage, the wealthy owner of Whamo! candy ignores government warnings against consuming excessive sugar to announce a hiring surge at his factory to try to meet demand. Audience members seem more interested in getting their hands on some chocolate than on his announcement.

Late one night, Dr. Roberts from FEMA goes onto the radio in Buffalo, the epicenter of the crisis, to explain that the rumors are true. The government is suppressing information about the infection spreading through the country, an infection that starts with sugar cravings through glitter rashes to the rages in which the infected attack each other and people. He warns that sugar feeds the infection and calls for volunteers to come to his lab in Buffalo for his experimental treatment that seems to arrest the progress of the infection. An online sugar advocate creates counter-programming against Dr. Roberts, arguing that he is trying to trick them, a puppet of big vegetable. You should not fear and enjoy your candy, “Buy Whamo!”

Our story ends with a new video from Glitter Glinda with an impassioned plea for acceptance of the glitterati, those who were infected but who, with regular treatments, are able to live normal lives, free of the savage rages that characterized the infected during the crisis. She even volunteers to lead glitterati to work along the barricades that wall what’s left of society from the wastelands that could not be recovered from the sugar zombies. The glitterati are going on a Glitter Tour with Dr. Roberts to entertain with their glitter powers and talk about the role they can now play in our society.

Truth & Daring & Moths

This week, we played a spooky session of Truth & Daring by Tim & Kristin Devine of Dice Up Games. We’re all sixth graders and members of the Explorers, a club we formed to encourage us each to “Blaze a trail!” We use an old, rusted out van at the edge of the woods outside town as our clubhouse. The group includes Cat a daredevil and actor who never goes anywhere without her Swiss army knife; Kyle a brainy kid who loves climbing and geology and carries ropes, pulleys, and a compass in his oversized backpack; Fronto a wannabe athlete whose two left feet have kept them off every team they’ve tried out for; and the new kid in school, Agatha, who is timid and has been homeschooled and sheltered by her parents.

Artists impression of the Mothman
Image courtesy Wikipedia.

Our story begins with Kyle and Fronto talking about this crazy prank that someone pulled at school with all the sports equipment thrown all over the gym. Agatha is lurking nearby but doesn’t approach until Cat shows up and drags her into the group, and we convince her to join us at our clubhouse. At the clubhouse, Cat is talking about the Mothman that her brother saw off Route 29, and we all agree to pretend to be staying over at each other’s houses but to go camping out to look for the mysterious Mothman. Agatha thinks it’s all talk until the group shows up on Friday and drags her into the woods. We’re all hanging out around the fire and talking when someone spots the distinctive glowing red eyes of the Mothman, but it flies off, and we’re unable to find it again.

The next week, we’re staking out the school trying to catch whoever is pulling the pranks that have continued at school, but instead we spy the Mothman breaking in through the back entrance. We follow him as he tears through the school until he gets to Mr. Harper’s science lab and see him struggling to get into the mineral display case. We offer to help him and give him paper to draw what he wants, a stone. Laying out the stones from the case, he takes the slab with fern fossils on it then turns to leave, gesturing to us to follow. He leads us to an abandoned factory where there is a kind of lab set up. The Mothman places the slab into an apparatus, hooks it to electrodes, and flips some switches, causing a cascade of lasers to begin firing at the slab. Quickly the lasers chip away at the outer layer of the slab, revealing a crystal inside that refracts the light around the room into a series of carefully placed mirrors that converge upon the Mothman.

We watch the Mothman transform before our eyes into a human woman, who introduces herself as entomologist Dr. Robins and explains how her experiments with moths backfired and accidentally transformed her. Not long after, back at school, Dr. Robins becomes our new science teacher, and some of us have questions about whether we might want to conduct those experiments again.

After the World Drowned

In this week’s game, we played After the World Drowned, a StorySynth Jam game from David Harris in which we play the inhabitants of a future Earth, 100 years after a cataclysmic flood has raised ocean levels so only the highest elevations rise above the water line. We are members of a new community, The Ideal, which hopes to build a better world, one that doesn’t pillage nature but harmonizes with it. Each of us has come to the Ideal for different reasons. Penelope is a young woman raised by her recently deceased grandfather who longs for stability and has a deep fascination and love of animals, including her pet sea turtle Shelly. Rissa always looks for the logical approach to a problem, seeking evidence and testing ideas before building a new solution. Sema Buchle recently ran away from her parents out of love for the oceans but, more fundamentally, seeking to understand what broke the world and how it might be healed. And Delaney has a special connection with nature, having once literally lived with the birds, a feral child raised on a remote island by albatrosses for the first years of his life.

A sea turtle with brown coloring drawn on white paper and a sketch of a young woman with braided hair.

Act 1: the People

Delaney brings with him to the Ideal a pearl-handled foldable knife he used to cut fishermen lines and nets in his old community when they endangered birds. He remembers the strife this caused there and fears how others will react to him carrying it, so he keeps the knife secret. Sema decides to be his friend, however, fascinated by the mystery of the young man’s origins., having only recently learned that the flooding of the world is a recent phenomenon. Delaney doesn’t find his past that remarkable and generally doesn’t talk about it, but he indulges Sema and always gives an answer to her many questions. Penelope had to overcome the death of her grandfather and sail the seas alone for the first time to reach the Ideal. After arriving, she quickly runs into trouble when she releases animals penned in an Ideal enclosure, unable to bear seeing them caged. While she learns to compromise and allow some animals to be kept for the good of the community, Penelope encounters and grows close to a lemur she names Tom-Tom, who becomes a regular around our village. Early after her arrival, Rissa recognizes this is the place for her when she’s told, “This is how we do things here,” as two parties resolve a dispute by presenting their evidence and laying out their reasoning before the collective. Rissa lives with quiet shame, however, at having lashed out and killed a flying fox bat when it surprised her one evening.

Act 2: the Place

Sema keeps moving her belongings further from shore, convinced the water continues to rise, and begins putting her belongings in whatever plastic she can scrounge from the lost world. She’s reminded, however, of her childhood by an interior grotto that the seawater regularly reaches and replenishes, and notices with wonder how prolific is the plant life here, full of fruit trees and verdant forests. When an elder member passes away, Delaney initiates a ritual of taking strands of the deceased’s hair and weaving it with strands from the survivors, putting them together on a toy sailboat, and launching them into the sea. Delaney finds how to fit-in by looking to the birds, how they take only what they need for the moment, unlike humans who hoard and covet. When he shares his outlook one day with Rissa while criticizing her plans to increase fishing or clamming yields, she begins to understand what it truly means to live sustainably—she must accept that now is enough and not worry about what may happen tomorrow. As she contemplates these ideas, she sees what is limitless in the Ideal: sunlight, seawater, and wind. Penelope sees a rodent making off with the last of our storehouse of dried apricots, and sheepishly brings to the community the importance of sealing off the food stores from the wild animals. Despite having been here for some time, she continues to sleep on the docked boats, just as she did when her grandfather was alive.

Act 3: the Creatures

Penelope has grown to appreciate how the people in the Ideal study and learn before acting. We cultivate plants who complement each other and can grow in symbiotic harmony, producing abundantly without competition. She also notices the natural lands that were lost when the village was built and how that has led to conflict with some wild creatures. She works with Sema to identify which plants we need to restore the balance between our island’s flora, its fauna, and ourselves. In addition, Sema builds sanctuaries on the island for any displaced animals and migrates their homes to the new habitats. Throughout this, her obsession with the world before the floods has grown, and she feels herself drawing nearer to uncovering the key to the flood’s cause. Rissa gets involved with improving the system of runnels and barrels that collect rainwater, trying to integrate them with the forests and use the forest’s natural funneling process to gather the rain more reliably. While working in the interior, she encounters Sema’s grotto and finds it an apt metaphor for our situation: we too must learn to wait for the world to come and restore us rather than try to force ourselves upon the world. Delaney has noticed the birds following his fishing boat, seeking the fish they know he sails to find. As the terns and gulls grow increasingly comfortable with him, he feels honored by their trust and validation.

Epilogue: Why do you feel positive about the future?

Rissa is moved by how we put aside personal ambition for the good of the community, are each committed to making it work, and act in good faith toward one another. Penelope loves how conscious the community is of the environment and how precious we treat each resource. Delaney admires how we each live for the group and live for today, accepting that this now is enough. Sema feels hopeful as she finally unlocks why the world flooded and believes it could be reversed someday.

Lasers & Feelings & Television

This week, we played Lasers & Feelings by John Harper as the crew of the small Consortium scout ship, Raptor. With our Captain incapacitated by an unknown psychic entity, the crew are on our own. Our cast includes: Ensign Zul, a genderless alien explorer from a water planet who looks like an ambulatory sea monster; the android diplomacy envoy P.A.C.I.F.I.C.A. (Prediction And Calculation Intelligence For Initiating Conflict Avoidance), designed to use logic to negotiate an end to conflicts; Troy McVenture, well-known star of Intrepid Love and Adventure Forever, who has come aboard to audition for a role in a series about the adventures of a starship; Dr. Aak the bipedal cat and medical officer, out to prove what an orange cat can do on a starship; ship’s engineer Lt. Cmdr. Leah Brahms, who just love tinkering with Consortium toys; and the most senior crew member still conscious and security officer, Cmdr. Kaz Ardor, who just wants to keep everyone safe until the captain can be revived.

Lasers & Feelings Logo
Lasers & Feelings logo via One Seven Design.

Our mission begins with Brahms greeting Troy McVenture when his shuttle docs with the ship and, misunderstanding when he starts talking about his vid-series pilot, escorting him to his station at navigation as the ship’s new pilot. In the med bay, Ardor is working with PACIFICA and Dr. Aak to attempt to communicate with the entity possessing Captain Darcy, since Dr. Aak has not found any way to remove the entity without harming the captain. PACIFICA is able to make rudimentary contact with the entity, learns to refer to it as Monsieur, and suggests they might be able to convince Monsieur to move to a new host under the right circumstances. Ensign Zul receives a distress call from the starship of the Queen of the space pirate brigade, and we plan how to approach the touchy and dangerous pirates; Troy pilots the ship for the first time on this trip.

As we approach the pirate starship Archipelago, the first minister of the pirate brigade denies sending any distress beacon, but after muting himself and crying out to his crew, the beacon stops. The minister admits they had been attacked by a Consortium ship before a fleet of pirate vessels surround us, forcing us to activate the Raptor’s cloaking device to escape without damage. Cmdr. Ardor orders Zul to escort Troy to the med bay for a psych evaluation since he keeps insisting that we’re on a television set. After Dr. Aak examines him, he’s confined to quarters with a security detail stationed at his door. In engineering, Ardor has Brahms boost the range of the ship’s sensors to search for the Consortium ship the pirates claimed had attacked them. After some technical wizardry, Brahms reports there is a Consortium ship stalking the pirate vessel, a ship that matches the markings of the USS Saber, commanded by Captain Clarke.

Putting the ship on alert status, we intercept the Saber when PACIFICA and Ardor begin parleying with Capt. Clarke, who is unrepentant about his attempts to attach the pirate Queen and start a war. As we continue verbal jousting, Troy appears on the bridge of the Saber and lunges for Capt. Clarke. We attempt to teleport the two of them back to the Raptor but somehow we get Clarke and strand Troy on the other ship. While the crew and Troy keep the crew of the Saber occupied, PACIFICA and Ardor take Clarke to the med bay where PACIFICA convinces the entity Monsieur to leave Capt. Darcy and possess Clarke instead. Monsieur can now communicate clearly through Clarke’s voice and takes command of the Saber to end the pirate war crisis. Darcy returns to the bridge as we escort the Saber back to Consortium Command for debriefing.

No More Boundaries

This week we played No Boundaries by Marc Hobbs as a group of workers at a failing chain bookstore in an outdoor mall outside New York City. We are prankster Blythe the barista and fill-in storyteller, garrulous Dwight the gift wrapper, slacker Pete the shelver, and bitter Sonja the poetry specialist. We arrive on New Year’s Day and wait for the manager to open up and chat about our Eves. Blythe arrives with green hair, having stayed home to dye it as part of her training to be a hairdresser. Dwight is wearing a three-piece suit and tells us about the party at a billionaires mansion. Pete spent the evening whooping it up in Times Square with his surfer buddies. And Sonja complains about how she and her friends were removed from a boat house party where they had every right to be.

In the first part of the year, our corporate overlords decide that we need to add sporting equipment to our stock. Dwight and Sonja end up wrapping a set of golf clubs for a customer who insists that each one be wrapped individually and isn’t pleased with our book themed paper. In the lounge, Pete is chilling with Blythe and Dwight when Sonja comes in complaining about the basketballs in the poetry section, but before going back out there, Blythe dyes Pete’s hair in the sink. Blythe aids Sonja in selling a bicycle to a customer, even though neither of them know anything about bikes. On a smoke break with Pete and Dwight, Blythe suggests they go together to Hawaii if the store closes down, and all consider their futures.

Red stick figure stands in front of bookshelves loaded with book with section heads stating "Business" and "Failure".
Image courtesy of Less Than Three Games from Itch.io

Over the long summer, the company offers an all-expenses paid trip to New York City to the employee who sells the most membership cards. While Pete is trying to sell a card to a customer, Blythe keeps needling the customer and gets him to write the check to her in exchange for her employee discount. Pete offers to meet the customer out back to sell him some weed. In the lounge, Dwight hears from Sonja rumors about the store: the manager Tall Dave may be leaving, and the higher ups may be catching onto Pete’s side business out the back. In a big smoke break out back, everyone is out of cigs after Tall Dave has been replaced by a real ball-buster who is making us all miserable. Blythe convinces us to sabotage the membership card contest to ensure the company has to shell out to send a winner some distance to get to New York.

For the end of the year, corporate starts a partnership to sell Taco Bell in the café, which excites Pete to no end and depresses the rest of us. Blythe decides to incorporate an anti-Taco Bell message into story time and brainstorms ideas with Sonja, who suggests a taco house in Hansel & Gretel or telling the kids about Willy Wonka & the Chalupa Factory. On a smoke break, we all discuss whether that Hawaii idea is real, and everyone promises to support Sonja with Dwight tending bar, Blythe styling hair, and Pete running the store. If we could steal a bunch of books before we leave, it might make opening our own easier.

At the end of the year, the store finally closes, our final workday New Year’s Eve. That night Pete holds a pity party with his surfer friends and Sonja joins in, uncertain what to do with herself. Blythe is packing for Hawaii, prepping the stolen books for shipment, and wondering whose coming with her. Dwight decides to live blog the celebrations in Time Square, hoping to outdo the professional announcers and get noticed.

Collective Downfall

This week we played the setup of Downfall by Caroline Hobbs. Using the words swarm, steam, and salt, we created a fantastic world where insectoids harvest salt from natural saltwater hot springs to build their nests and interlocking units. We call our haven the Saline Swarm. Our society depends on each individual showing loyalty to their station, to the collective, and to our traditions.

Like many entomons, we each serve a specialized function in the life of the colony. Each mating pair provides eggs to the Collectors who come each cycle gathering our spawn to sustain our communal endeavor. When a particular cohort hatches, the hatchlings are put into a family under a single Carer, each brood distinguished from others by the colors splashed across the hatchlings’ carapaces. Although each brood is intended for a particular function after their molting comes, before an individual joins a functional unit by performing the ritual signal dance for that profession. If someone insists on learning the dance of a different function, there is nothing to be done but welcome them into the new function with the appropriate professional stamp upon their foreheads.

Each function and each structure in our nest is built from the salt that Harvesters bring from the salt plains. We use interlocking structures shaped like blown-glass, with curved interiors coming to a point at each end. The Architects long ago determined this was the strongest and most efficient structures to be erected with the salts. The guild hall for each professional function is stamped with the interlocking shape for that function. Our relationships vary just as in any other civilization, but we are careful to reserve specific greetings for only our most intimate companions. The interlocking of the forelegs creates varied patterns that show the nature and closeness of each relationship. When a particular cohort comes to the end of their cycle, they go together to a specific place in the salt plains and splay as one upon the ground and fade away while the salt-crystal lamps burn in their honor.

We don’t know it yet, but our colony is destined for collapse. The head of each guild sits upon the ruling council, and our cast consists of three Elders on this council. Drax the Pairings Master, who arranges the mating pairs that will produce the broods the colony needs, has been fighting against the council’s loyalty to the old ways. He insists that we need new professions to address the diminishing returns from the salt harvests—explorers or hunters to find new salt deposits or venture beyond the salt plains. If the deposits and yield continue to diminish, our entire civilization will falter. Opposed to Drax is their old friend Lapida the Harvester, who objects to the implication against the harvesting guild and believes we should just put our heads down and continue the work rather than creating fanciful new functions. Asima the Lamp Crafter, who grew up with Drax in the same brood, feels both of them are too worked up. Asima knows Drax isn’t insulting the Harvesters but also that they worry too much. Surely everything will end as it should.

Clash in the Sky at Ikara

We played another session of Clash at Ikara by Randy Lubin on his storysynth engine, this time as a group protecting a floating monastery in the sky filled with a holy library of magical tomes. The monks are scholars not fighters and have been protected for centuries by the clouds. Human raiders have begun to master flying mounts and devices and raiding Ikara. To protect their magical trove, the monks have asked us to defend the monastery and drive the raiders away.

Our Strategist has joined to safeguard the knowledge that he wants to study to improve his strategic thinking. The Tinkerer has always loved books, especially those with practical applications. A military Veteran has also joined seeking peace, knowing the terrible costs of war. A well-known Sage is friends with one of the Ikaran monks, so joins our band. The martial Virtuoso joins simply because he hates bullies and cannot bear to see the defenseless overrun. Another joins our group, this Tagalong seeks the whereabouts of her brother lost long ago, who may be at Ikara.

To prepare for the raid we know is coming, we each show the monks how to act rather than wait passively. The Veteran learns that the raid will be delayed because the raiders must prepare the potion bombs they use when flying and are having supply issues. The Sage uses the additional time to drill the monks and teach them rudimentary tactics—how a group can work together and use sandbags and other fortifications as cover. The Strategist collects shards of glass and reflective metals and shows the monks how to use them to blind attacking flyers, and studies how to use the clouds to confuse the raiders. The Tagalong notices that the tunnel through the floating island under the monastery creates a natural whirlwind that could be used against the attackers. The Tinkerer notices the broken masonry from previous attacks and builds a pair of catapults to fling this rubble at the raiders. Finally, our Virtuoso advises the abbot that to secure victory, they must sacrifice the great yew tree in the monastery’s garden to the sky goddess Altara because the monks have lost the god’s favor. When the Strategist disagrees, the abbot decides to wait for their protectors to speak with one voice before acting.

Large yew tree rises up to a white sky between the walls of a monastery.
Photo of yew tree at Muckross Abbey Cloister by Johanning courtesy of Wikimedia Commons.

Once the raiders attack and the battle begins, we each must act as we see best. The Strategist has lain traps throughout the grounds for the raiders, such as hidden openings through which they fall. When given the chance to sacrifice himself to free captive monks, the Strategist instead moves to make the prisoners a burden for the bandits. The Veteran attacks recklessly with her Infinity Sword and disables and captures an entire cadre of raiders. The Tinkerer sees a bomb dropped into the courtyard and covers it with a metal helm and his body, sacrificing himself to save others. But the Sage uses their medical knowledge to save the Tinkerer from certain death. The Tagalong sees a group of monks—is that her brother—trapped in the fire from an incendiary potion and succumbs to the smoke while rescuing them from the flames. The Virtuoso sets the yew tree ablaze, releasing the poisonous smoke into the air before launching into the sky aboard a sphinx, destroying many raiders. The Strategist sees the monastery’s beloved mascot, a young acolyte, in danger but cleverly rescues them. The Tinkerer, injured but mobile again, leads the monks in using the catapults to take out the bandit leader, a terrible brute with a large beard and brandishing a large axe, bringing the raid to an end. We have won.

With their leader gone and forces decimated, it’s years before the earthdwellers are organized and developed enough to consider another raid. The Strategist stays at the monastery and writes new books on strategy to be added to its shelves. The Tinkerer helps to rebuild and introduces many innovative solutions. The Veteran, still seeking peace, becomes a monk and stays. The Sage plays chess with their old friend and stays to study medicine. The Tagalong recovers and learns what happened to her brother all those years before deciding to return to earth and move on. The Virtuoso tells the Abbot that now that they have earned Altara’s favor, they must build her a shrine where the yew tree once stood, then he leaves to find others who need his leadership and protection.

Doubled Love Balloon

This week we set sail once again on the Love Balloon by Ray Chou and came together for hijinks and romance. Julie Plover is our airship’s Activities Director, working to ensure everyone enjoys the cruise. Staying in the Presidential Suite are Dane Cabot, a charming playboy out for fleeting romance, and Eris Show, a shy professional performer who’s living a double life. In three single suites are Terry Spear, writer of paranormal holiday romance novels about wolf billionaires; Blake Duran, a has-been action celebrity looking for a way back to relevance; and Hermes Diabolite, a stage magician whose memory is beginning to fade and whose sleight of hand is no longer so sleight.

Our story begins with Julie escorting Eris, overcome by the crowds at the mooring station, through the back halls of the airship to her cabin. Dane will apparently join her later, as he is too busy charming Hermes while securing a dove that threatens to fly away from the aging magician. At one of the airship’s bars, Terry runs into Blake and gushes over his past triumphs and suggests that he would be perfect to play a werewolf billionaire in an adaptation of her work. As the airship flies on to our first port of call, our cast tumbles into each other some more. Hermes runs into Blake and they discuss their respective histories in the movie and entertainment business. They bond over Blake’s films (Vital Organs and Bloodsport 7) and their near-miss collaborations over the years, so Blake asks Hermes if playing a billionaire werewolf would be a good career move. Meanwhile, Terry bumps into Eris in the airship’s library, who they mine for story ideas before pressing The Wolf King of Passover into the young woman’s hands. In a dining room with a lounge piano, Dane is chatting with Julie about her life and her work until he decides to sing her a song.

The Love Balloon, a game of ... hijinks, humor & romance appears in the left hand corner with two figures dancing the Charleston to the right in a field of soft pink.

At the Seven Geysers, Blake leaves the ship and runs into Dane camped out behind the observation glass as they wait for the famous 49-minute geyser to erupt. Blake is obsessed with how to reinvent and reinvigorate his career, throwing multiple ideas (playing Corazon Aquino, releasing an album) at the young man, but Dane suggests he doesn’t need reinvention but new additions, to expand himself rather than begin again. The old actor is quite taken in by the interest the young man shows in him and expresses his hope to see him again as the geyser erupts. Earlier on the ship, not long after most had gone ashore, Julie encounters Eris in the ballroom dancing alone, suggests she consider going ashore, but ends up dancing with her to help the young woman learn the foxtrot. Overcome, Eris dashes off to her room.

Back sailing the skies, there is a masquerade as the airship heads back to port. We begin with Julie talking about the cruise and whether the aging actor has found what he seeks, until Eris interrupts on her way inside. Blake asks Julie to show Dane to his table when he arrives and heads inside. Julie discovers Eris in the restroom and asks her to come out and dance, but doesn’t notice when Dane emerges from the bathroom, so gives him her kerchief and directs him to Blake. After a brief talk with Blake, Dane asks him to get some drinks and disappears. When the foxtrot starts, Eris dances with Julie, who notices her neckerchief sticking out of the girl’s pocket, and tells her not to shut herself away. When Blake arrives, Eris runs away and Dane returns still with Julie’s neckerchief and when a dancer bumps into Dane, knocking his hat and mask off, it’s revealed that Eris and Dane are the same person.

Crying profusely, Julie pulls Eris away from the crowds and tells her that she is nice no matter who she appears to be. Blake suggests her two parts need to be brought together and explains how much he’s learned from the roles he’s played. They agree to meet to watch an animated film tomorrow morning when Julie has downtime before the ship approaches its destination. After the cruise, Blake provides the voice for an animated series about a billionaire werewolf in which Eris gets a voice role too.

Follow the Wolves

We played Follow by Ben Robbins this week, forming a movement to advocate for werewolves’ civil rights. Our group consists of romantic idealist Fantina Lycanfyl and her child Kal, violent revolutionary Lupin Pires, armchair rebel and peacemaker Herbert Allen, experienced international legal advocate Regene and her documentarian friend Findal, Debbie Boland who doubts our group’s abilities, and the impatient true believer Victor Forthright.

We begin our quest to secure werewolves their rights by trying to organize a protest of an injustice. We think we’ve found the perfect moment when Lupin is fired because he couldn’t work one full moon night. Regene begins building a legal case and learning about the obstacles werewolves face in our society. Regene argues for legal action and creating a community support center, but Lupin wants to fight in the streets while Victor advocates for an immediate rally. In our meeting to settle on a plan of action, Fantina sees the value in both and Herbert tries to bring the two sides together. Eventually, we compromise by planning to hold a rally to raise funds and consciousnesses supporting a community center that can give werewolves a safe space to meet and seek legal and medical aid. However, the group fails to pull everything together in time for the date set, so Debbie decides we’re too disorganized to be effective and leaves the group.

Follow rpg logo over alpine mountain peaks
Follow logo courtesy Lamemage Games.

Regene shares secret information with Fantina and Victor about famous pop star Irina Saari hiding her werewolf status, and together decide that it would help our cause if she could be convinced to reveal her true nature. Regene plans to meet with her alone to begin recruiting the star. Despite being sworn to secrecy, Fantina tells Kal, who in turn reveals the truth to the rest of the group and a considerable number of her friends at school. Kal and Lupin’s child (Lupito) form a fan club at school for Irina and Lupito gets his whole class into Irina’s music, while his father creates a major online “Werewolves for Irina” fan destination site. Herbert leads his pack of youths on a pilgrimage to follow Irina from concert to concert and keep up a howling section at all her shows. Regene decides now is the time to approach Irina and intercepts her when Irina is collecting the Wolvesbane Nectar needed for the transformation-suppression drug that both Irina and Regene use to keep their wolf-natures under control. After much discussion, Regene convinces Irina this could be good not only for all wolves but a professional coup for her. Soon after, Irina releases a new album called Secrets and begins a media tour during which she reveals her secret. Kal is so inspired that they decide to become a singer and leaves the group to follow that dream.

Finally, we decide to build out and open the community center, but the building Regene secured during our protest challenge is in desperate need of repairs. Knowing that it would take months to complete the restoration, we decide that the restoration itself can be the center’s first community-building project, like an old-style barn raising. In support, Herbert leads his pack door-to-door evangelizing for the center and asking for people’s help. Victor puts donation canisters in stores throughout the city, while Fantina and Lupin organize a bake sale at the local farmer’s market and Lupito leads a children’s talent show. Fantina is everywhere during the restoration, working on the kitchens, the roof, the bathrooms, and the decor. Regene runs into Irina working at the center one day, and they discuss when Regene might stop using the wolvesbane and reveal herself until they’re interrupted by Findal and his documentary camera. With the support of the community, we succeed in opening the community center to aid werewolves across the city.

In epilogues, we see Lupin settled at the community center, less violent and more happy than ever before. Victor practically lives at the community center and his family comes all the time. Findal completes and releases his documentary about our movement at film festivals and travels with Regene when she leaves for Madagascar to help the werewolves there. Fantina grows restless and begins to look for another cause to support, while Herbert, pleased with how peaceful we were, often brings his entire pack around to the community center to hang out and enjoy the newfound space.